Monthly Archive for November, 2006

Mental Jukebox

This morning, when I jumped upon my trusty iron steed and hurtled down (unfeasibly-narrow-yet-choked-with-traffic) Higashioji Street, dodging all the Kyoto University students cycling mad-cap the other way, narrowly escaping death under the wheels of crazed bus drivers, being run off the road by (they-think-they-own-the-road-they-do) taxi-drivers, somehow avoiding the drunken hosts and hostesses coming out of their respective all-night (give-me-some-money-and-I’ll-pretend-to-like-you) clubs down by Yasaka Shrine and once again powering up that final hill to work, THIS was what was playing on my mental jukebox:

(A mental jukebox being the music you hear in your head when you don’t own an I-Pod. Mine is very often on repeat mode… Somebody buy me an I-Pod!)

News

I see that New Line cinema has decided to go ahead with the making of “The Hobbit” without director Peter Jackson at the helm. It seems they owe him money and don’t want to pay up, so they’re cheating Tolkien fans now too. I expect they’ll be approaching Keanu Reeves to play Bilbo Baggins next…

Also, my mate Rik Abel, has alerted me to this. Art and slides! Slides and art! Art = Fun! I think I might have to take time out for a day-trip to London when I head home for Christmas.

Finally, the news from our end is that Hyon Ju got the result of her application to Kyoto Dentoukougeidaigaku (Kyoto Traditional Arts and Crafts University) yesterday. She sat in her room all day yesterday waiting, and finally at 6.30 in the evening the “express” delivery arrived. And…

…SHE PASSED!

So for the next two years she’ll be doing things with wood (and spending all her savings) and she’ll have a proper visa at last and won’t have to go back to Korea. So that’s nice then. Congratulations Hyon Ju!

Now get yer knickers on and make me a cabinet!

(good job she can’t read this…)

Teeth

Bit of a horror story today I’m afraid…


Oh, I wish I’d looked after me teeth,
And spotted the perils beneath…

Pam Ayres

The last time I went to see a dentist, he gave my teeth a good scrubbing and then he gave me some very good advice: “Floss every day and come back and see me in 6 months.” That was two years ago, during which time I think I’ve flossed about six times.

Over the past couple of weeks or so one of my back teeth has gotten a little sensitive to hot and cold food… Better do something about it, I thought reluctantly and went off in search of an expensive looking dentist’s (if they are making money, they must be good right?). Well, I’m paying the price of two years of neglect now, aren’t I? The dentist (flash young fellow with dyed hair and lots of high tech gadgetry) took one look in my nosher and found a gold mine.

Why didn’t I follow that fellow’s advice two years ago and go back in six months? Let’s see:

I had no money.
Dental work is expensive.
I had no health insurance.
Dental work without health insurance is even more expensive.
I had no money.

And somewhere in my mind I was repeating a mantra once taught to me (excitedly) long long ago, by one Pier “Peaches” Sazio: “Don’t see dentists! They are all nazis! Don’t see them!”

Well I have health insurance now, but I also have nine cavities (NINE!) and it’s going to cost me a PACKET to put them right.
The big one, the one that was getting a little hurty, will take five visits alone.
Ouch.

So the moral children: if you want happy teeth like the ones below, heed the words of your dentist (not experts in molecular nano-technology:) and for God’s sake floss!

How I laughed at my mother’s false teeth,
As they foamed in the waters beneath,
But now comes the reckonin’
It’s me they are beckonin’
Oh, I wish I’d looked after me teeth…

Fragile Things

First a review and then (for those of you who don’t like reading) some pictures.

I just finished reading Neil Gaiman’s latest collection of short stories: Fragile Things. A little while ago I read his first collection Smoke & Mirrors - it’s interesting to compare the two. To be honest Smoke & Mirrors was a bit patchy, a bit hit-and-miss, there were some good stories in there ( “Chivalry”, “The Goldfish Pool and Other Stories”, “One Life, Furnished in Early Moorcock”, “Murder Mysteries”, “Snow, Glass Apples” were my favorites…) but there’s some fairly average stuff too, and some stuff that… well, you know, it’s not that good. However, I liked it for all that, or maybe because of that. It was good to see that Neil Gaiman, prolific, mega-succesfull, gifted, god-among-writers, though he be, has feet of clay. He started out from scratch and learnt his trade like everyone else. Sometimes his work was less than satisfactory, so he learnt from that, moved on and polished and honed his craft and got better and better and better… And you can see that progress happening in Smoke & Mirrors.

Fragile Things is a far more polished and accomplished collection, Neil Gaiman is at the height of his career, knows exactly what he’s doing and can’t put a foot wrong it seems. Pretty much every story is a gem. I have my favorites though. October in the Chair is a very nice Bradburyesque piece that had me hooked from the first paragraph:

October was in the chair, so it was chilly that evening, and the leaves were red and orange and tumbled from the trees that circled the grove. The twelve of them sat around a campfire roasting huge sausages on sticks, which spat and crackled as the fat dripped on to the burning applewood, and drinking fresh apple-cider, tangy and tart in their mouths.

April took a dainty bite from her sausage, which burst open as she bit into it, spilling hot juice down her chin….

This I read in the bookshop and knew instantly: “ah, crap I’m going to have to buy this now”…

Closing Time is a perfectly delicious little ghost story of the old school, set within the traditional framework of a tale told in one of those old-style London after-hours drinking clubs. The Problem of Susan is a return to C.S. Lewis’s Narnia from a more disturbing angle. Neil Gaiman explains: “I found the disposal of Susan to be intensely problematic and deeply irritating. I suppose I wanted to write a story that would be equally as problematic, and just as much of an irritant, if from a different direction, and to talk about the remarkable power of children’s literature…”

Harlequin Valentine is tale of romance that blends seamlessly the worlds of enchantment and the mundane - something in which Neil Gaiman excels. How to Talk to Girls at Parties is such an excellent title and the story itself: “You’ve just got to talk…. They’re just girls… They don’t come from another planet…” Tee-hee.

The first story in the collection, A Study in Emerald, is pure genius - a blending of the worlds of Sherlock Holmes and Lovecraft. How is this possible? Click here and you can read this story for free on Neil Gaiman’s website. It’s a cracker.

Neil Gaiman’s Fragile Things: RECOMMENDED.

Anyway, here are some recent(ish) pictures as promised. The first is of Hyon Ju’s birthday (which was on Thursday - another mad scorpio):

Birthday cakes, I find, always induce an urgent need for Mickey Mouse impersonations:
Making a wish…
The requisite picture of myself acting the fool:

And haha! A sign with silly Japanese-English on it! Every blog in Japan should have one!
I especially liked the “100% Customer Satisfaction produce by WEED” part.

Heuurrrghhhh.

It’s Saturday! Woo-hoo!

It’s the weekend! - Wa-hey!

I’ve caught a massive stinking cold! - Heuurrrghhhh…

Apart from snotting my way through my morning job at the clinic, I’ve spent most of the day in bed. Pity because I was going to see South and Mandala play at Viva La Musica tonight. Eric wants me to be the Mandala photographer so he was going to let me and Hyon Ju in for free… Never mind. Anyway, Rie Mandala is having an exhibition soon in the same street that Philippe lives on and Mandala will be playing there on the 23rd from 2 pm. So if you get the chance…

Rie Mandala’s Exhibition
Nomadic Journey 2006/11/23-12/03 @ Ajiki RojiOpening 2006/11/23 Mandala live Kyoto, Japan

 

This would be a map:

Manwhore Alert!

So one of my friends has become a manwhore (although he likes to call himself a “gigolo” in the erroneous belief this makes it sound cool). My friend swore me to secrecy, so let’s refer to him as “Pierrot” to preserve his good name in society (he’s a bit of a clown see). “Where do you meet these poor women?” I asked him. “In bars.” says Pierrot “Divorced women between the ages of 35 and 40 with good jobs. I’m providing a service to the community…”

Ironically (ironically?), Pierrot is also looking to start a whole new career as a part-time priest doing weddings on weekends. The Japanese really like the whole white dress, church organ, traipsing up the aisle, romantic atmos of your western-style wedding but they don’t really give two hoots for religion of any sort (generally) so there’s this huge market for western-style weddings but not enough actual priests. For this reason some enterprising (if not entirely honest) types have started to cash in on this by dressing any old white guy in some vestments and calling him a priest. You can get ¥15,000 per wedding apparently (as compared with the ¥10,000 Pierrot receives for his other - ahem! - services).

What some people will do to avoid working for a living…

Well, that’s enough filth and hypocrisy for one day. Why not click over to Rik Abel’s blog where he is starting a whole new blogging “uberniche”. What you do is you ask him to film himself rollerblading around a particular location in London or Cambridge and then he goes and does just that and puts the video on his blog! What could be marvellouser?!

“Make the best of every day…”

Here’s a couple of links.

Great news from Germany which considering my post on Thursday - why, it’s as if I’m some kind of prophet or something!

And this article from the Onion was a little too close to the bone.

Anyway, we haven’t had any for a while so it’s time for more pictures of food.

On Friday, Hyon Ju and I introduced some of my erstwhile Yamashina students (Toru, Akihiko and Yasushi) to a little family style Korean restaurant we like.

The name is 清風庭 which in Korean reads “Chon Pun Jon” and means something like “Clear Wind Garden” (maybe).

This is a picture of Hyon Ju at the counter chatting with the lady of the house on one of our previous visits…
Here surrounded by images of old Korea you can enjoy the finest Korean cuisine…
…such as Korean hotpot - Duenjanchige and Cham-i-sul a popular but potent sweet and clear Korean liquor.

The chijimi (or puchimge in Korean) is probably the best I’ve had in Japan.


And the Doppoki isn’t too bad either.

Here, Akihiko and Yasushi are looking gleeful as the Doppulgogi (a big steaming dish of meat and veggies) arrives…
While I tucked into the “Jogi” a type of fish apparently called croaker in English, which I haven’t had before. Tasty.
Here are Hyon Ju and the lady of the house (Kim-san) outside the establishment:


“Chon Pun Jon” is situated just off Sanjo going north on Furukawa Gaishouten, a short walk east of Higashioji Dori.

It’s friendly and tasty and cheap and you get heaps of food. Recommended.

Brutalised Tree


While I was out at work today (slaving) some workmen came and brutalised the tree outside my window. Look what they’ve done to it! They do this every sodding year just before the trees have a chance to enter their autumn finery. And it’s not just the trees outside my window. IT’S ALL OVER JAPAN. The Japanese have a horrible relationship with nature (of which this is but one example) and they regard falling autumn leaves as an untidy nuisance. A nuisance! What’s with that?

Pretty soon more workmen will be moving up and down Imadegawa Street and Shirakawa Street and stripping the glorious golden crowns off of the gingko trees, leaving only sad stumpy maimed twiggy things like the thing on the left. That’s what they leave us to look at till late spring when the trees finally get over the shock of this abuse.
It breaks my heart.

It’s at times like these that I feel the need for dancing pandas.

And this video, below, made me laugh (quite a bit).

I KNOW I’M NOT ALONE

Ironically, according to Google Analytics, I’m really not alone. “Hello!” and “Aloha!” to readers in Redmond (U.S.), Toronto, Wokingham (U.K.), Valbom (!), La Rochelle, and Takatsuki and thank you for allaying my deep and long-held suspicion that no-one was actually reading this at all.

And here are my favorite headlines today:

Donald Rumsfield has been arrested and will be shortly up before a World Court tribunal for his various and plentiful crimes against humanity.

I’m just kidding. In fact he’s merely quit. Still it’s a start I suppose.

Another glorious victory in the march towards a socialist utopia: Daniel Ortega is reelected in Nicaragua.

Peace in our time! In Nepal at least… Hurrah for Nepal!

Britney Spears goes skating after announcing divorce.

That last one would be facetious (hence the lack of a “why not learn more?” link).

So some time ago I said I’d be telling you about the Michael Franti DVD “I KNOW I’M NOT ALONE: A MUSICIAN’S JOURNEY THROUGH WAR IN THE MIDDLE EAST”.

It’s good. Here’s Franti’s own introduction:

“After years of watching and reading about war in the Middle East, I began to grow really frustrated with the news; hearing generals and politicians explaining the economic cost, and the political cost of war without ever talking about the human cost of war. I couldn’t imagine what it would be like to live under foreign military rule, so I went to Baghdad, Israel and into the occupied Palestinian territories of the West Bank and Gaza, to hear from the people affected by it most: taxi-drivers, restaurant owners, craftsmen, nurses, doctors, poets, children, families, soldiers, and of course my personal favorite musicians. So I took some of my friends and my guitar, and a video camera and this is what I saw…”

I expect a lot of people thought he was completely mad. As his driver/interpreter Maher Al-Wahhash, made clear, what Michael Franti wanted to do (i.e. meet ordinary people on the streets) was in no way safe:

“If you want to go out, we have to go to some places where people know me… Otherwise you cannot feel safe. We can go to some places without being authorized by the CPA (Coalition Provisional Authority) or being authorized by some others but if you want to take the risk we can take you there… No security of course, but we are going to mix with people, locals and mixing with locals…[is] completely dangerous because you can expect at any time to be attacked, or …yeah some people may try to kidnap you and these things are happening now. This is what they brought to Iraq from overseas. This is the new freedom.”

I don’t think it’s possible to underestimate the bravery of someone with a high profile like Michael Franti, going out to meet the locals in Baghdad.

To break down barriers he decided to write a song in Arabic, but knowing he would never be able to master enough of the language he wrote a song in which one word “habibi” (meaning something along the lines of “friend” or “beloved”) is repeated over and over again. The scenes where he plays this song to both Iraqis and Palestinians (much to their pleasure and amusement) are pretty funny to watch.

He also played to the American troops, which considering the strong political message of most of his music must have made him feel quite uncomfortable. About this he said:

“This was the hardest show I’d ever done in my life… In the end I was surprised at how many of them told me that more than anything else, they just wanted to go home.”

What Michael Franti found in Baghdad was a city without basic amenities: no water, no electricity, no healthcare and also no security and no respect. His driver/interpreter spoke poignantly of his dreams for the future:

“I wish to see a secure Iraq, a peaceful Iraq, and I wish the people to get decent jobs, to make a decent living, and I wish the Iraqi people to have the power to control, to rule their country themselves and to rebuild their country themselves. I wish that the Iraqi people and the American people become really friendly and forget all about the past. I wish that we could meet again one day in the future. Enshallah.” (If God is willing)

After Baghdad the charismatic musician went on to Israel and the occupied territories where he had the opportunity to play with musicians such as the mixed Israeli/Palestinian group Sheva and to talk with both ordinary people in the refugee camps, Israeli soldiers, and the victims of both sides of the conflict. Peppered throughout the movie are some pretty telling statistics, such as these:

Israel receives $16 million per day in aid from the U.S.

“60% of the population living in Gaza live under the UN poverty level of U.S. $2 per day”

“Of the 4.2 million Palestinians living in the West Bank and Gaza, 1.4 million live in refugee camps.”

There is also of course the personal witness of Michael Franti himself and his infectious music:

“It was so amazing to see kids whose families had had their homes demolished, who’d been shot at, and who’d been beaten, whose parents were dead, who were so excited and so happy to be around music. Once again “Habibi” was a huge hit!”

“I KNOW I’M NOT ALONE” is a fascinating and moving movie. If you get the chance to, watch it.


Ancient Forests

I can’t be bothered blogging today, so watch this video:

Make sure the wood and paper products you buy have been certified by the Forest Stewardship Council. And then, when you’ve done that, click on this.